• Book
  • 2017 Elke Reinhuber with Peer M. Sathikh and Ang Song Nian (Editors). NTU International Photography Award 2017. NTU Singapore
  • 2010 Elke Reinhuber, Chris Byrne, Michael Fürst, Sebastian Pelz. The Urban Beautician (Die Stadtkosmetikerin). Hochschule für Bildende Künste Braunschweig, Germany
  • Chapter
  • 2019 “Face Value – the Artistic Value of Currencies”. Rasa Šmite, Raitis Šmits (eds.), Virtualities and Realities . New Experiences, Art and Ecologies in Immersive Environments. Liepāja: RIXC/Mākslas pētījumu laboratorija, Liepāja Universitāte
  • 2016 “Staging the holodeck – photographic imagery for immersive experiences in virtual environments”. Carsten Busch, Jürgen Sieck (eds.), Kultur und Informatik (XIV): Augmented Reality. Glückstadt: Verlag Werner Hülsbusch, pp. 65-78
  • 2016 “Face Value”. Cultural R>evolution. Hong Kong: School of Creative Media/City University Hong Kong, pp. 238-241
  • 2013 “Entscheiden mit 3 Tesla”. Felix Mittelberger, Sebastian Pelz, Margit Rosen, Anselm Franke (eds.), Maschinensehen. Feldforschung in den Räumen bildgebender Technologien. Leipzig: Spector Books, pp. 78-91
  • Journal Paper
  • 2018 »A Dance with Virtual Reality«, ›Pushing Frontiers‹ Nº13, pp. 24-25.
  • 2017 Beyond visibility – scientific imaging as an artistic tool, Journal of Media Practice 18 (2-3), pp. 229-236. DOI: 10.1080/14682753.2017.1374680
  • 2017 Phasmagraphy: A potential future for artistic imaging, Technoetic Arts 15 {3) 2017, pp. 261-273. DOI: 10.1386/tear.15.3.261_1
  • 2017 The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art. Lumina – Art, Media and Technology: as life and media merge 11 (2), pp. 60-81. ISSN 1516-0785
  • 2017 Mögliche Welten – kontrafaktische Gedanken im Pluriversum der Kunst. Journal für Hamburger Kulturanthropologie, 2016(5), pp. 29-49. ISSN 2365-1016
  • 2016 Counterfactual Thoughts in Photography. The International Journal Of Arts Theory And History, 11(4), pp. 11-18. DOI: 10.18848/2326-9952/cgp/v11i04/11-18
  • 2014 Decidophobia – An Artistic Research on the Possibilities of Immersive Environments. La Revista Icono 14, 12(2), pp. 206-229. DOI: 10.7195/ri14.v12i2.714
  • Conference Proceedings
  • June 2019 »The Gone Garden VR Experience – An Impressionistic Representation as Virtual Heritage Reconstruction«, with Benjamin Seide and Ross Williams. Paper presented at ›Lux Aeterna‹ International Symposium on Electronic Art (ISEA) 2019, Gwangju, South Korea.
  • June 2019 »Into the Unknown – the age of the uncharted web, the sitemap and the advent of search (A reflection on the beauty of navigation before the integrated search)«. Paper presented at ›The web that was: archives, traces, reflections‹ The 3rd biennial RESAW (Research Infrastructure for the Study of Archived Web Materials) conference, University of Amsterdam, the Netherlands.
  • May 2019 »Multi-layered visual realities: the image-image relationship« with Deborah Harzenmoser, Hans-Martin Rall and Wibke Weber. ›Communication Beyond Boundaries‹, 69th Annual International Communication Association (ICA) Conference, Washington DC, 24-28 May 2019.
  • January 2019 »Are photographers superfluous? The autonomous camera«. ›Art Machines: International Symposium on Computational Media Art (ISCMA) 2019 Proceedings‹ Hong Kong: School of Creative Media, City University of Hong Kong, pp. 101-103.
  • January 2019 »The 360° video ›Secret Detours‹ as case study to convey experiences through immersive media and the method of presentation«, with Benjamin Seide and Ross Williams. ›Art Machines: International Symposium on Computational Media Art (ISCMA) 2019 Proceedings‹ Hong Kong: School of Creative Media, City University of Hong Kong, pp. 167-168.
  • November 2018 »Elektronische Medien & Kunst, Kultur und Historie: Architekturdarstellungen in der Medienkunst als Methode der Bewahrung kulturell relevanter Orte – erläutert am Beispiel des stereoskopischen Videos ›VENOMENON‹«. ›Konferenzband - Proceedings – EVA (Electronic Media and Visual Arts) Berlin 2018 Conference‹, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Deutsches Zentrum für Luft- und Raumfahrt e.V., pp. 33-38
  • October 2018 »Be the centre of the universe – strategies and concepts to experience immersive media«, with Benjamin Seide and Ross Williams. Paper presented at: ›Beyond Symposium – Future Design‹, ZKM Karlsruhe, Germany
  • September 2018 »Surveillance – outsmarting the algorithm or leaving the grid?«. Paper presented at ›RIXC Global Control‹, Latvijas Nacionālā bibliotēka, Rīga, Latvia
  • July 2018 »Little red bard: Shakespeare in the realm of animated documentary« with Hans-Martin Rall and Wibke Weber. CONFIA. 6th International Conference on Illustration and Animation, 13-15 July 2018. ›CONFIA 2018 Proceedings‹, Barcelos, Portugal: Instituto Politécnico do Càvado e do Ave, pp. 38-50
  • July 2018 »The Scale Of Immersion: Different Audio-Visual Experiences Exemplified by the 360° Video ›Secret Detours‹«, with Benjamin Seide and Ross Williams. ›EVA London 2018 – Electronic Visualisation of the Arts‹, BCS Learning and Development Ltd., pp. 236-243
  • May 2018 »A potential future for artistic imaging beyond visibility« . Paper presented at: ›International Conference on Optical and Photonic Engineering‹, Shanghai, China
  • April 2018 »Representing Architecture in Media Art - from 2D to 3D, from 360° video to VR«. Paper presented at: ›AMPS 2018: Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design‹, İstanbul Kemerburgaz Üniversitesi, Turkey
  • February 2018 »The Scale Of Immersion: Different Audio-Visual Experiences Exemplified by the 360° Video ›Secret Detours‹«, with Benjamin Seide and Ross Williams, COHASS Poster presentation day, session 2018, NTU Singapore.
  • January 2018 »›Secret Detours‹: A Garden in Singapore«, with Benjamin Seide and Ross Williams, 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR), Reutlingen, pp. 839
  • October 2017 »Exploring Scientific Data Usage in Media Art with the Example of the Artwork ›Venomenon‹«, Proceedings of the 8th International Conference on Digital Arts: ARTECH2017, ACM Digital Library, pp. 191-194
  • June 2017 »Adapting Shakespeare for Virtual Reality: Defining an Integrated Research Framework«, with Hans-Martin Rall and Wibke Weber, 5th International Conference on Illustration and Animation CONFIA 2017 - Proceedings, pp. 490-500
  • November 2016 Wind Back the Film of Life – Counterfactuals in Movies. Paper presented at: the International Conference on Philosophy and Film: The Real of Reality, ZKM Karlsruhe, Germany
  • October 2016 Cornflakes on the Holodeck, Photography beyond Visibility. Paper presented at: Beyond – Future Design Festival, ZKM Karlsruhe, Germany
  • October 2016 From Capturing the Decisive Moment to Archiving Experiences. Paper presented at: VSMM, Sunway University Kuala Lumpur, Malaysia
  • September 2016 Counterfactuals in Media Art. Paper presented at: ANU Canberra, Australia
  • July 2016 Venomenon – a multilayered visual experience. Paper presented at: EVA (Electronic Visualisation of the Arts) conference, London: BCS, British Computer Society
  • June 2016 Beyond our Visible Spectrum – Scientific Imaging as Aesthetic Practice? Paper presented at: Post-Screen Cultures/Practices, School of Arts & Creative Industries at London South Bank University, England
  • June 2016 Staging the Holodeck – photographic imagery for immersive experiences in virtual environments. Paper presented at: 28th Annual International Society for Animation Studies Conference, ADM/NTU Singapore
  • June 2016 Machine Vision: an Artistic Research into Imaging Technologies. Paper presented at: Image as Vortex, The Ashmolean Museum of Art and Archaeology, University of Oxford, England
  • May 2016 Venomenon. Paper presented at: ISEA 2016, CSM School of Creative Media, Hong Kong
  • March 2016 Staging the Holodeck – photographic imagery for immersive experiences. Paper presented at: Culture and Computer Science 2016 – Augmented Reality, Schloss Köpenick, Berlin, Germany
  • October 2015 Counterfactualism as a Post Media Strategy. Paper presented at: RIXC Renewable Futures Conference, Latvijas Nacionālā bibliotēka, Rīga, Latvia
  • August 2015 Venomenon – Multiplying the Narrative. Paper presented at: ISEA 2015, Simon Fraser University Vancouver, Canada
  • July 2015 Face Value – Augmented Reality Enhanced Photography. eWiC Electronic Visualisation and the Arts – EVA 2015 (pp. 11-12) London: BCS, the Chartered Institute for IT.
  • June 2015 Multilayered narratives in immersive video installations. Paper presented at: International Conference on Culture and Computing, Kyoto University, Japan
  • June 2015 Photography and Beyond – How Scientific Imaging provides Fine Art Imaging with a new Toolkit. 1st International Conference on Advanced Imaging – ICAI 2015 (pp. 358-361) Tokyo: The Imaging Society Japan.
  • June 2015 Photography and beyond – Scientific Imaging as Aesthetic Practice. Paper presented at: 21st Century Photography, Central Saint Martin, UAL London, England
  • June 2015 The Urban Beautician – Performance to Camera. Paper presented at: Contemphoto ’15, DAKAM, DAKAM İstanbul, Turkey
  • April 2015 The Make Belief of Immersive Media. Paper presented at: The Art of 3D Video, ADM/NTU Singapore
  • March 2015 The Space Behind. Paper presented at: The Art of Finding the Center: A Symposium on Designing for Immersive Domes, ADM/NTU Singapore
  • March 2015 Multithreaded Narratives and Counterfactuals. Paper presented at: Contemporary Innovations: The Arts, Technology and Culture, HASS/NTU Singapore
  • December 2014 Augmented Reality and How to Access Archived Media Art. Virtual Systems & Multimedia, 2014 International – VSMM 2014 (pp. 287-294) Hong Kong: IEEE.
  • October 2014 Counterfactuals in Photography. Paper presented at: Fifth International Conference on the Image, Freie Universität, Berlin, Germany
  • October 2014 Multithreaded Tales: Reconsidering Narrative. Paper presented at: 3D-Symposium Beyond 2014, ZKM Center for Art and Media, Karlsruhe, Germany
  • July 2014 Counterfactuals in Media Arts. Electronic Visualisation and the Arts – EVA 2014 (pp. 98-99) London: BCS, The Chartered Institute for IT.
  • Artist Books and Catalogues
  • Entscheiden mit 3 Tesla, 2013, Cross Over, Fotomuseum Winterthur
  • Decisions – A User‘s Manual, 2011, exhibition catalogue, La cité internationale des arts, Paris, France
  • I Know Where I‘m Going!, 2010, exhibition catalogue, Raum in Mitte, Berlin
  • Pyrophobie im Koptischen Museum, 2009, HBK Publication, Braunschweig
  • The Sinus-Venosus-Effect, 2008, exhibition catalogue, Dray Walk gallery London
  • Damensalon, 2008, exhibition catalogue, Hammer Berlin
  • Suitable for Framework, 2005, Gallery TotalKunst, Edinburgh, 32 pages
  • Euro-Islamischer Kulturdialog, 2004, DAAD, Trio Verlag, Bonn, pp. 20 et seq.
  • FILE 04, 2004, Festival Internacional de linguagem electrônica, São Paulo, p. 50
  • me & myself, 2003, artists book, Berlin, edition of 30, 24 pages
  • Frauen im Orient – Frauen im Okzident, 2003, Gedok, Karlsruhe, pp. 22 et seq., 27, 96-99, 136
  • Im Überfluss II, 2003, Kunstverein Bad Tölz, DVD-Catalogue
  • DIN 4067, 2003, Museum für Photographie, Braunschweig, 16 pages
  • Bildersprechen, 2003, HBK Braunschweig, Salon Verlag, Köln, pp. 225 et seq.
  • Copy & Paste, 2003, Editions Virages, Neuchâtel, pp. 14, 18, 63
  • Nebelleben, 2002, Edition Hohes Ufer, Ahrenshoop, pp. 72-75