Elke Reinhuber - Research

Book
upcoming: 2022 Counterfactuals in Fine Art, Routledge (monograph)
2017 Elke Reinhuber with Peer M. Sathikh and Ang Song Nian (Editors). NTU International Photography Award 2017. NTU Singapore
2010 Elke Reinhuber, Chris Byrne, Michael Fürst, Sebastian Pelz. The Urban Beautician (Die Stadtkosmetikerin). Hochschule für Bildende Künste Braunschweig, Germany
Chapter
2020 »Re-creation of a Tropical Garden as Virtual Cultural Heritage«, ›Kultur und Informatik Extended Reality‹. Johann Habakuk Israel /Christian Kassung/Jürgen Sieck (Hrsg.). Glückstadt: Verlag Werner Hülsbusch, pp.29-42
2020 Chapter 9: »Garden Of Changes An Approach To Embrace The Forking Path Structure Of Singapore’s Former Yunnan Garden In Virtual Reality«, Connections: Exploring Heritage, Architecture, Cities, Art, Media. Howard Griffin / Graham Cairns (Edt.). University of Kent, pp.83-90
2019 “Face Value – the Artistic Value of Currencies”. Rasa Šmite, Raitis Šmits (eds.), Virtualities and Realities . New Experiences, Art and Ecologies in Immersive Environments. Liepāja: RIXC/Mākslas pētījumu laboratorija, Liepāja Universitāte
2016 “Staging the holodeck – photographic imagery for immersive experiences in virtual environments”. Carsten Busch, Jürgen Sieck (eds.), Kultur und Informatik (XIV): Augmented Reality. Glückstadt: Verlag Werner Hülsbusch, pp. 65-78
2016 “Face Value”. Cultural R>evolution. Hong Kong: School of Creative Media/City University Hong Kong, pp. 238-241
2013 “Entscheiden mit 3 Tesla”. Felix Mittelberger, Sebastian Pelz, Margit Rosen, Anselm Franke (eds.), Maschinensehen. Feldforschung in den Räumen bildgebender Technologien. Leipzig: Spector Books, pp. 78-91
Journal Paper
2019 Wibke Weber, Hans-Martin Rall, Elke Reinhuber, Deborah Harzenmoser: “Multi-layered visual realities: the image-image relationship”. TechArt 6 (4). DOI: 10.15323/techart.2019.11.6.4.16/
2019 Elke Reinhuber, Hans-Martin Rall, Sebastian Pelz: “Layered Images: The Desire to See More Than the Obvious”. Animation Studies . Journal for Animation History and Theory 14. ISSN 1930-1928
2017 Beyond visibility – scientific imaging as an artistic tool, Journal of Media Practice 18 (2-3), pp. 229-236. DOI: 10.1080/14682753.2017.1374680
2017 Phasmagraphy: A potential future for artistic imaging, Technoetic Arts 15 {3) 2017, pp. 261-273. DOI: 10.1386/tear.15.3.261_1
2017 The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art. Lumina – Art, Media and Technology: as life and media merge 11 (2), pp. 60-81. ISSN 1516-0785
2017 Mögliche Welten – kontrafaktische Gedanken im Pluriversum der Kunst. Journal für Hamburger Kulturanthropologie, 2016(5), pp. 29-49. ISSN 2365-1016
2016 Counterfactual Thoughts in Photography. The International Journal Of Arts Theory And History, 11(4), pp. 11-18. DOI: 10.18848/2326-9952/cgp/v11i04/11-18
2014 Decidophobia – An Artistic Research on the Possibilities of Immersive Environments. La Revista Icono 14, 12(2), pp. 206-229. DOI: 10.7195/ri14.v12i2.714
Conference Proceedings
February 2022 »Synthography – An Invitation to Reconsider the Rapidly Changing Toolkit of Digital Image Creation as a New Genre Beyond Photography« ›ArtsIT, Interactivity and Game Creation – Creative Heritage . New Perspectives from Media Arts and Artificial Intelligence. 10th EAI International Conference, ArtsIT 2021, Virtual Event, December 2-3, 2021, Proceedings‹, pp.321-331; 10.1007/978-3-030-95531-1_22
June 2021 »Flux Garden—a Poetic Memory of a Lost Garden in VR«, Paper presented at ›Art Machines 2: International Symposium on Machine Learning and Art 2021 (AM2)‹, Hong Kong
July*2020 »An Evaluation of Different Strategies to Represent Performance in a Tropical Garden for Immersive Environments«, ›Electronic Visualisation and the Arts conference 2020‹, BCS London, England
June*2020 »The Garden of Changes – an approach to embrace the forking path structure of the former Yunnan Garden in Virtual Reality«, with Benjamin Seide and Ross Williams. Paper presented at ›AMPS: Architecture and Media‹, University of Kent, Canterbury, England
June 2019 »The Gone Garden VR Experience – An Impressionistic Representation as Virtual Heritage Reconstruction«, with Benjamin Seide and Ross Williams. Paper presented at ›Lux Aeterna‹ International Symposium on Electronic Art (ISEA) 2019, Gwangju, South Korea.
June 2019 »Into the Unknown – the age of the uncharted web, the sitemap and the advent of search (A reflection on the beauty of navigation before the integrated search)«. Paper presented at ›The web that was: archives, traces, reflections‹ The 3rd biennial RESAW (Research Infrastructure for the Study of Archived Web Materials) conference, University of Amsterdam, the Netherlands.
May 2019 »Multi-layered visual realities: the image-image relationship« with Deborah Harzenmoser, Hans-Martin Rall and Wibke Weber. ›Communication Beyond Boundaries‹, 69th Annual International Communication Association (ICA) Conference, Washington DC, 24-28 May 2019.
January 2019 »Are photographers superfluous? The autonomous camera«. ›Art Machines: International Symposium on Computational Media Art (ISCMA) 2019 Proceedings‹ Hong Kong: School of Creative Media, City University of Hong Kong, pp. 101-103.
January 2019 »The 360° video ›Secret Detours‹ as case study to convey experiences through immersive media and the method of presentation«, with Benjamin Seide and Ross Williams. ›Art Machines: International Symposium on Computational Media Art (ISCMA) 2019 Proceedings‹ Hong Kong: School of Creative Media, City University of Hong Kong, pp. 167-168.
November 2018 »Elektronische Medien & Kunst, Kultur und Historie: Architekturdarstellungen in der Medienkunst als Methode der Bewahrung kulturell relevanter Orte – erläutert am Beispiel des stereoskopischen Videos ›VENOMENON‹«. ›Konferenzband - Proceedings – EVA (Electronic Media and Visual Arts) Berlin 2018 Conference‹, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Deutsches Zentrum für Luft- und Raumfahrt e.V., pp. 33-38
October 2018 »Be the centre of the universe – strategies and concepts to experience immersive media«, with Benjamin Seide and Ross Williams. Paper presented at: ›Beyond Symposium – Future Design‹, ZKM Karlsruhe, Germany
September 2018 »Surveillance – outsmarting the algorithm or leaving the grid?«. Paper presented at ›RIXC Global Control‹, Latvijas Nacionālā bibliotēka, Rīga, Latvia
July 2018 »Little red bard: Shakespeare in the realm of animated documentary« with Hans-Martin Rall and Wibke Weber. CONFIA. 6th International Conference on Illustration and Animation, 13-15 July 2018. ›CONFIA 2018 Proceedings‹, Barcelos, Portugal: Instituto Politécnico do Càvado e do Ave, pp. 38-50
July 2018 »The Scale Of Immersion: Different Audio-Visual Experiences Exemplified by the 360° Video ›Secret Detours‹«, with Benjamin Seide and Ross Williams. ›EVA London 2018 – Electronic Visualisation of the Arts‹, BCS Learning and Development Ltd., pp. 236-243
May 2018 »A potential future for artistic imaging beyond visibility« . Paper presented at: ›International Conference on Optical and Photonic Engineering‹, Shanghai, China
April 2018 »Representing Architecture in Media Art - from 2D to 3D, from 360° video to VR«. Paper presented at: ›AMPS 2018: Moving Images – Static Spaces: Architectures, Art, Media, Film, Digital Art and Design‹, İstanbul Kemerburgaz Üniversitesi, Turkey
February 2018 »The Scale Of Immersion: Different Audio-Visual Experiences Exemplified by the 360° Video ›Secret Detours‹«, with Benjamin Seide and Ross Williams, COHASS Poster presentation day, session 2018, NTU Singapore.
January 2018 »›Secret Detours‹: A Garden in Singapore«, with Benjamin Seide and Ross Williams, 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR), Reutlingen, pp. 839
October 2017 »Exploring Scientific Data Usage in Media Art with the Example of the Artwork ›Venomenon‹«, Proceedings of the 8th International Conference on Digital Arts: ARTECH2017, ACM Digital Library, pp. 191-194
June 2017 »Adapting Shakespeare for Virtual Reality: Defining an Integrated Research Framework«, with Hans-Martin Rall and Wibke Weber, 5th International Conference on Illustration and Animation CONFIA 2017 - Proceedings, pp. 490-500
November 2016 Wind Back the Film of Life – Counterfactuals in Movies. Paper presented at: the International Conference on Philosophy and Film: The Real of Reality, ZKM Karlsruhe, Germany
October 2016 Cornflakes on the Holodeck, Photography beyond Visibility. Paper presented at: Beyond – Future Design Festival, ZKM Karlsruhe, Germany
October 2016 From Capturing the Decisive Moment to Archiving Experiences. Paper presented at: VSMM, Sunway University Kuala Lumpur, Malaysia
September 2016 Counterfactuals in Media Art. Paper presented at: ANU Canberra, Australia
July 2016 Venomenon – a multilayered visual experience. Paper presented at: EVA (Electronic Visualisation of the Arts) conference, London: BCS, British Computer Society
June 2016 Beyond our Visible Spectrum – Scientific Imaging as Aesthetic Practice? Paper presented at: Post-Screen Cultures/Practices, School of Arts & Creative Industries at London South Bank University, England
June 2016 Staging the Holodeck – photographic imagery for immersive experiences in virtual environments. Paper presented at: 28th Annual International Society for Animation Studies Conference, ADM/NTU Singapore
June 2016 Machine Vision: an Artistic Research into Imaging Technologies. Paper presented at: Image as Vortex, The Ashmolean Museum of Art and Archaeology, University of Oxford, England
May 2016 Venomenon. Paper presented at: ISEA 2016, CSM School of Creative Media, Hong Kong
March 2016 Staging the Holodeck – photographic imagery for immersive experiences. Paper presented at: Culture and Computer Science 2016 – Augmented Reality, Schloss Köpenick, Berlin, Germany
October 2015 Counterfactualism as a Post Media Strategy. Paper presented at: RIXC Renewable Futures Conference, Latvijas Nacionālā bibliotēka, Rīga, Latvia
August 2015 Venomenon – Multiplying the Narrative. Paper presented at: ISEA 2015, Simon Fraser University Vancouver, Canada
July 2015 Face Value – Augmented Reality Enhanced Photography. eWiC Electronic Visualisation and the Arts – EVA 2015 (pp. 11-12) London: BCS, the Chartered Institute for IT.
June 2015 Multilayered narratives in immersive video installations. Paper presented at: International Conference on Culture and Computing, Kyoto University, Japan
June 2015 Photography and Beyond – How Scientific Imaging provides Fine Art Imaging with a new Toolkit. 1st International Conference on Advanced Imaging – ICAI 2015 (pp. 358-361) Tokyo: The Imaging Society Japan.
June 2015 Photography and beyond – Scientific Imaging as Aesthetic Practice. Paper presented at: 21st Century Photography, Central Saint Martin, UAL London, England
June 2015 The Urban Beautician – Performance to Camera. Paper presented at: Contemphoto ’15, DAKAM, DAKAM İstanbul, Turkey
April 2015 The Make Belief of Immersive Media. Paper presented at: The Art of 3D Video, ADM/NTU Singapore
March 2015 The Space Behind. Paper presented at: The Art of Finding the Center: A Symposium on Designing for Immersive Domes, ADM/NTU Singapore
March 2015 Multithreaded Narratives and Counterfactuals. Paper presented at: Contemporary Innovations: The Arts, Technology and Culture, HASS/NTU Singapore
December 2014 Augmented Reality and How to Access Archived Media Art. Virtual Systems & Multimedia, 2014 International – VSMM 2014 (pp. 287-294) Hong Kong: IEEE.
October 2014 Counterfactuals in Photography. Paper presented at: Fifth International Conference on the Image, Freie Universität, Berlin, Germany
October 2014 Multithreaded Tales: Reconsidering Narrative. Paper presented at: 3D-Symposium Beyond 2014, ZKM Center for Art and Media, Karlsruhe, Germany
July 2014 Counterfactuals in Media Arts. Electronic Visualisation and the Arts – EVA 2014 (pp. 98-99) London: BCS, The Chartered Institute for IT.
Magazine
2019 »The Photographer’s Eye: Elke Reinhuber«, ›SCM|ACIM Research‹ Nº4 (2019), p.12.
2018 »A Dance with Virtual Reality«, ›Pushing Frontiers‹ Nº13, pp.24-25.
Artist Books and Catalogues
Entscheiden mit 3 Tesla, 2013, Cross Over, Fotomuseum Winterthur
Decisions – A User‘s Manual, 2011, exhibition catalogue, La cité internationale des arts, Paris, France
I Know Where I‘m Going!, 2010, exhibition catalogue, Raum in Mitte, Berlin
Pyrophobie im Koptischen Museum, 2009, HBK Publication, Braunschweig
The Sinus-Venosus-Effect, 2008, exhibition catalogue, Dray Walk gallery London
Damensalon, 2008, exhibition catalogue, Hammer Berlin
Suitable for Framework, 2005, Gallery TotalKunst, Edinburgh, 32 pages
Euro-Islamischer Kulturdialog, 2004, DAAD, Trio Verlag, Bonn, pp. 20 et seq.
FILE 04, 2004, Festival Internacional de linguagem electrônica, São Paulo, p. 50
me & myself, 2003, artists book, Berlin, edition of 30, 24 pages
Frauen im Orient – Frauen im Okzident, 2003, Gedok, Karlsruhe, pp. 22 et seq., 27, 96-99, 136
Im Überfluss II, 2003, Kunstverein Bad Tölz, DVD-Catalogue
DIN 4067, 2003, Museum für Photographie, Braunschweig, 16 pages
Bildersprechen, 2003, HBK Braunschweig, Salon Verlag, Köln, pp. 225 et seq.
Copy & Paste, 2003, Editions Virages, Neuchâtel, pp. 14, 18, 63
Nebelleben, 2002, Edition Hohes Ufer, Ahrenshoop, pp. 72-75